[The title story] is one of the most moving I have ever read, a testament to both the power The Encyclopedia of the Dead is a book of wonders, product of a vivid. Dead by Midnight has ratings and reviews. Amy said: I won this in More lists with this book. .. Another story that's part of a series and #21 to boot!. Expired*** The Book of the Dead was a building available from the Market during the King's Curse Leaderboard Event. Also, I wasn't too impressed with the wrap-up of the whole Diogenes sequence. Views Read Edit View history. Around the Year i Except Trailer - 2m 09s Douglas Winter's "Less Than Zombie" is a hilarious Brett Easton Ellis parody that brings zombies and bored rich kids together in a very splatter-ific story. Jun 30, Stephen White rated it it englischer rekordmeister amazing. Pound for pound, this is the grossest story in the book. So why are you standing here in a deserted grocery ruidoso deutsch in Kennewick, Washington, on a Beste Spielothek in Pinnowhof finden like this? This page was last edited on fußballspiel online schauen Novemberat I remember when I read this book that after the first few stories were read, I made the deal with myself to ONLY read was ist office live add-in 1.5 book during the day. Studien zum Altägyptisch- er Totenbuch How to Generate sa-nesu Ahmosi. Pyramid Texts inscribed inside the burial chambers of the pyramid of Unas at Saqqara N. Just a moment while we sign you in to your Goodreads account. Orbis Biblicus et Orientalis frühen Annie reluctantly hires Pat, the friend, only to be thrilled with her improvement in understanding Murder Mystery Books, to find Pat has either committed suicide or been murdered herself. Durch die Nutzung dieser Website erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden. Mia versucht sich zu retten, doch der nun am Boden kriechende Dämon wirft den Jeep um, wobei Mias linke Hand unter dem Wagen eingeklemmt wird. It reminded me of some other story-line but can't figure out what. Dieses eBook kann mit fast allen eBook-Readern gelesen werden. I now understand why some think she is a modern day version of Agatha Christie. The spells Texts, adopting several utterances wholesale, revising themselves also anticipate a developing canon:
Authors include such notables as Ramsey Campbell, Douglas E. McCammon, and of course Stephen King. People all over town are being admitted and confined in the hospital where Elaine works, having lost all mental capacity as well as control of their bodies.
Meanwhile outside of town the world is falling to pieces as the dead are walking the earth, feasting on the living.
In the end, the secret to the shaking heads and what happens to them is, in standard Tem form, absolutely amazing and unexpected.
Living dead spin a wheel and win a prize. Another story was over 40, while still one more topped 50 pages.
In a really good anthology, I can deal with one novella, but three stories of that length just kills my motivation to keep reading on a daily basis.
And really, length is my only gripe with this one. All of the authors involved are recognizable names in the horror field, and these stories show why that is.
None of the stories felt cobbled together just because there was a zombie anthology looking for stories, and none of them felt as if they were pre-existing stories with a little editing done in post to turn them into zombie stories, even though for all I know this was exactly the case in at least one or two instances.
If it was, the authors hid it well. Pay attention to this table of contents, folks. Nonetheless, it was titillating.
Here, I give you a taste of it: Instead, he reached into a headboard compartment and brought out a rubber mask festooned with sewn leather and buckles and shiny gold zippers.
It almost made her laugh. The contraption engulfed her head like a thick,too-tight glove. She thought of getting stuck in a pullover Scary-shit.
She thought of getting stuck in a pullover sweater, only this material was definitely nonporous. Her lungs felt brief panic until the thing was fully seated and she could gulp air through the nose and mouth slits.
Then Quinn resumed pushing himself into her, his prodding more urgent now. He broke rhythm only to zip the holes in the mask shut.
Fear blossomed loud in her chest, becoming a fireball. She pulled in a final huge draught of air before he zipped the nose shut, and wasted breath making incomprehensible muling noises against the already-sealed mouth hole.
Quinn loved every second of it, battering her lustily despite her abrupt lack of lubrication. The friction vanished when he came inside her.
Cos what happen after this IS the scary part. View all 27 comments. A friend of mine lent me this book, and I read it over the Christmas holiday of I know that zombies aren't proper Christmas undead ghosts are - just ask Charles Dickens , but what the hell?
To be honest, I couldn't remember all of the stories, so I pulled the contents from Wikipedia and will make a note of what I remember about each of them.
Like a lot of fiction from this genre, some were really good, but most weren't - and an attempt at social commentary was usually the deciding factor i A friend of mine lent me this book, and I read it over the Christmas holiday of Like a lot of fiction from this genre, some were really good, but most weren't - and an attempt at social commentary was usually the deciding factor in either case.
Cover I have to address the cover of this book: I know you can't judge a book by its cover, but I mean, really, it looks like a book about witchcraft, or ghosts, or demonic possession.
I have no idea who picked the artwork, but he or she should be subjected to one of the gruesome endings that the characters within the book eventually meet!
Foreword by George A. Romero Supposedly, all of the stories in the book were either set in George Romero's "Night of the Living Dead" universe or were deeply inspired by it.
I have no idea what George actually said in the forward, but I am sure sure it was a humble recognition of his own stature as the father of the genre.
God bless you, George, you sick fuck! New Hope for the Future" by Skipp and Spector I have no idea what these guys had to say either; unlike Romero's forward, I probably didn't even read it, actually.
Schow This was the story of a man and his undead whore. She didn't start out that way, but apparently she didn't manage to say the safe word before choking to death on her own vomit, then tearing her jon's penis off with her zombie vagina.
No, I'm not kidding. I didn't really care for this story, and the author has no one but himself to blame because when he went for subtlety instead of shock, his writing wasn't half bad.
The last page of the story describes shocked hotel employees who had seen a good-looking, up-scale call girl I like to think of Julie Roberts in "Pretty Woman" go into a room, and witness a blood-spattered undead corpse, bloated from consuming its patron come out.
Zombie short fiction writers seem to have a think for castration and penis mutilation - I'm almost positive the undead avenger avengerette?
I think as a whole the body of his work is overrated, and I'll be damned why it seems to be that his best books are awful movies.
Whether it is or it isn't, the zombie plague is apparently an extra-terrestrial un life form that the press has dubbed "Star Wormwood. To be honest, I wish the story had been about the ill-fated astronauts who attempted to rendezvous with Star Wormwood.
That's pretty much this story. Well, it happens again in this story. There is a particularly graphic passage about what happens when you grab a man by his junk and disembowel him by jerking up really hard.
Props to the author. It's hard to have an over-the-top gross-out scene in a zombie story that doesn't involve necrophilia, and this story has it.
Oh, and it also has some necrophilia, too. It really didn't have anything to do with zombies, Romero-esque or otherwise.
All around the world people are shaking their heads violently for no apparent reason. If you ask them why they're unresponsive.
If you grab them by their head, then their body twists beneath them. Eventually, everyone's' heads come off, and it turns out that their abdomens have mutated into giant maws that eat them.
The only thing missing from this story was someone's belly button moaning "brains! Zombies will act out the things they see in porn with each other!
Incredibly, zombies breed healthy, cherubic little human babies and don't eat them, but feed them strained peas and carrots until their human offspring are mature enough to reanact porn on their own, thus perpetuating the cycle of living and undead sex.
Les Daniels clearly needs to get laid, though I have to give him credit - the zombie birthing process made me laugh out loud and slightly nauseated all at the same time.
Winter What if "Less Than Zero" had been a zombie movie? Yeah, I still wouldn't have liked it much then, either.
Boyett My favorite story of the bunch, "Like Pavlov's Dogs" is set primarily in a biosphere whose inhabitants survive the zombie apocalypse unscathed.
Much like the biker gang in the original "Dawn of the Dead," this story teaches us that even in a world of ravenous, shambling corpses we have far more to fear from the living than the dead.
I can't recall this story, either. Lansdale Lots and lots of necrophilia and post-zombie-apocalypse depravity on the part of the surviving human beings.
If you've ever wondered how you might go about staffing a brothel with zombie whores I know I have! However, if you get hold of a freshly dead hottie again, I'm looking at you, Julie Roberts and bolt the right electronic components to her noggin, you don't have to resort to dismemberment to enjoy her company, though you will have to work harder at getting into her pants.
If you think my summary was painful to read, you should try the actual story. Lansdale, shame on you! I hear Brian Hodge is working on a sequel for sweeps week.
Schow Another "the living are more dangerous than the living dead" parable. Pound for pound, this is the grossest story in the book.
At the same time, it probably has given hope to dozens of lonely, obese, cannibalistic teens who are just waiting for the zombie apocalypse so they can have someone to relate to McCammon Not McCammon's finest work "Night Boat," which he oddly refuses to allow to be republished was an awesome zombie story.
The answer, of course, is "yes" and - unsurprisingly - involves genital mutilation. Why do I give this book four stars?
Well, for starters, it was a zombie anthology long before zombie anthologies were cool. Secondly, it attempted to do for Romero's work what fanzines did for "Star Trek" during the s and into the s before the franchise was expanded and eventually bastardized beyond recognition.
And just like some of the early published "Star Trek" stories were complete shit cough Sondra Marshak and Myrna Culbreath Thirdly, I really don't think that the current zombie-mania would have happened if it weren't for respected horror writers contributing to "Book of the Dead.
And lastly, Goodreads doesn't allow you to give three-and-a-half-stars. Nov 01, John Reppion rated it liked it. Published in , the anthology boasts a foreword from George A.
With authors such as Steven King, Joe R, Lansdale, Ramsey Campbell and Richard Laymon contributing tales, this is an A-list affair, especially given that many of the featured writers were at the peak of their popularity at the time the book was first published.
Thatcher and Cowboy Ronnie sending out cards from their private underground bunkers. Anthologies by their very nature are a mixed bag and Book of the Dead is no exception.
There are some really enjoyable tales in the book: Campbell goes for discomfort and creeping menace, perhaps deliberately avoiding the no holds barred splatter which drips off the surrounding pages and I think it really pays off.
Then there are the bad parts and these are more general, more to do with the book as a whole and the way things sort of add up from story to story.
When I was first getting into horror in the early nineties James Herbert was the author whose work I was truly hungry for and raced through as fast as I could.
Returning to his work years later I was actually quite shocked and disappointed by some of the material in there, especially when it came to sex.
All of that said, I really enjoyed the book generally. A real stand out story for me was Choices by Glen Vasey, whose work I have never encountered before.
Choices manages to capture the right atmosphere and achieve a real sense of balance; lots of humanity, lots of pathos but still plenty of horror and action.
Overall, Book of the Dead is a very enjoyable and important anthology, though you may have to take certain stories with a pinch of salt.
This book belonged to my uncle not sure if he still has it and I remember reading this when I was about That short story has remained fixed in my memory all these years later.
I do recall enjoying others, though none have remained in my memory. As usual with anthologies there are always at least one or two that go a little "out there" and leave you wondering Just where in the hell was this particula This book belonged to my uncle not sure if he still has it and I remember reading this when I was about As usual with anthologies there are always at least one or two that go a little "out there" and leave you wondering Just where in the hell was this particular writer going with this?
But overall a very good collection. Particularly that short story I already mentioned. I had to do some creative Googling today just to find the book that contained one of the best horror short stories I have ever read in my life.
I definitely recommend this book. Come on, just read the premise behind this collection! View all 4 comments. Winter the story by Stephen King was reprinted with comic-style illustration in Secretary of the dead and Joe Lansdale's story was adapted into a comic book ooh, and a chapbook!
Oct 09, Mark marked it as to-read. McCammon's, Lansdale's, and Schow's stories are must-read. Laymon's Mess Hall was sadly disappointing. Same with Winter's tale.
The rest need to be reread before commenting. Dec 01, David Agranoff rated it it was amazing Shelves: Mess Hall still sticks with me. Jan 02, Kaniku rated it really liked it.
Not your typical collection of zombie stories. Apr 30, Daniel Dunkle rated it it was amazing Shelves: This was an excellent collection of short stories about zombies from the s, back before The Walking Dead was on TV and you had to wait for them to play Dawn of the Dead on late night cable to get your fix.
I picked this up at the local drug store back in Hampden, Maine when I was probably too young to be reading this stuff.
I particularly liked Joe R. Lansdale is now known for Hap and This was an excellent collection of short stories about zombies from the s, back before The Walking Dead was on TV and you had to wait for them to play Dawn of the Dead on late night cable to get your fix.
Lansdale is now known for Hap and Leonard mysteries, but he is really the master of the horror short story. Don't read it if you don't like really graphic violence, and I don't mean that in any cute, wink-wink way.
This book probably goes over the line, but I find it a guilty pleasure. Mar 01, Brad Carter rated it it was amazing. Given the recent popularity of zombies, it's hard to believe this anthology hasn't been brought back into print.
It seems to me that many of the stories have been reprinted elsewhere, so perhaps there are now legal issues surrounding that?
Inner workings of the publishing industry aside, this is one hell of a book. Heavy hitters like Stephen King, Ramsey Campbell, Robert McCammon back when he still got his hands dirty writing horror , and Joe Lansdale serve up some really good reanimated corpse Given the recent popularity of zombies, it's hard to believe this anthology hasn't been brought back into print.
Heavy hitters like Stephen King, Ramsey Campbell, Robert McCammon back when he still got his hands dirty writing horror , and Joe Lansdale serve up some really good reanimated corpse tales.
Douglas Winter's "Less Than Zombie" is a hilarious Brett Easton Ellis parody that brings zombies and bored rich kids together in a very splatter-ific story.
And that's the thing. The emphasis here is on splatter, which is not wholly surprising given that splatterpunk was still being hailed as the next big thing back when this book was published.
I'd argue that not all zombie lit need be splatter oriented. Even Romero's Day of the Dead--when stripped of a few gory set pieces--had a heavy philosophical bent.
Most of these stories just go for the throat, not necessarily a bad thing, just a little monotonous. Now that there are a million zombie anthologies out there, you could do worse than this one.
A good friend of mine recommended this book to me, said it was age old, and the copy I bought looks as though it's been around since the dawn of time.
It was a good read though, well worth the couple of pounds I spent to have it flown over from America. The hieratic scrolls were a cheaper version, lacking illustration apart from a single vignette at the beginning, and were produced on smaller papyri.
At the same time, many burials used additional funerary texts, for instance the Amduat. During the 25th and 26th dynasties , the Book of the Dead was updated, revised and standardised.
Spells were consistently ordered and numbered for the first time. This standardised version is known today as the 'Saite recension', after the Saite 26th dynasty.
In the Late period and Ptolemaic period , the Book of the Dead remained based on the Saite recension, though increasingly abbreviated towards the end of the Ptolemaic period.
The last use of the Book of the Dead was in the 1st century BCE, though some artistic motifs drawn from it were still in use in Roman times.
The Book of the Dead is made up of a number of individual texts and their accompanying illustrations. Most sub-texts begin with the word ro, which can mean "mouth," "speech," "spell," "utterance," "incantation," or "a chapter of a book.
At present, some spells are known,  though no single manuscript contains them all. They served a range of purposes.
Some are intended to give the deceased mystical knowledge in the afterlife, or perhaps to identify them with the gods: Still others protect the deceased from various hostile forces or guide him through the underworld past various obstacles.
Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual. Such spells as 26—30, and sometimes spells 6 and , relate to the heart and were inscribed on scarabs.
The texts and images of the Book of the Dead were magical as well as religious. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.
The act of speaking a ritual formula was an act of creation;  there is a sense in which action and speech were one and the same thing.
Hieroglyphic script was held to have been invented by the god Thoth , and the hieroglyphs themselves were powerful.
Written words conveyed the full force of a spell. The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life.
A number of spells are for magical amulets , which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.
Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value. Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available.
For most of the history of the Book of the Dead there was no defined order or structure. The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife.
The Book of the Dead is a vital source of information about Egyptian beliefs in this area. One aspect of death was the disintegration of the various kheperu , or modes of existence.
Mummification served to preserve and transform the physical body into sah , an idealised form with divine aspects;  the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification.
The ka , or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense.
In case priests or relatives failed to provide these offerings, Spell ensured the ka was satisfied. It was the ba , depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it.
An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.
In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat. There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.
There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.
While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required.
For this reason burials included a number of statuettes named shabti , or later ushebti. These statuettes were inscribed with a spell, also included in the Book of the Dead , requiring them to undertake any manual labour that might be the owner's duty in the afterlife.
The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.
Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.
If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.
There, the dead person swore that he had not committed any sin from a list of 42 sins ,  reciting a text known as the "Negative Confession".
Then the dead person's heart was weighed on a pair of scales, against the goddess Maat , who embodied truth and justice.
Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.
Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".
This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content. The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.
For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure.
A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funeral, or by the relatives of someone recently deceased.
They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver,  perhaps half the annual pay of a labourer.
In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials.
Most owners were men, and generally the vignettes included the owner's wife as well. Towards the beginning of the history of the Book of the Dead , there are roughly 10 copies belonging to men for every one for a woman.
The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m.
The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets.